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Seit 1997 sind wir Großhandel für hochwertige Publikationen der Gebiete Kunst, Kunsttheorie, Kunstgewerbe, Architektur, Design, Fotografie und illustrierte Kulturgeschichte. Unser kleines Team setzt sich aus den Fachgebieten Kunst, Kultur, Musik, Buchhandel und Medien zusammen und hat bei aller Vielfalt einen gemeinsamen Nenner: Die Begeisterung für schöne Kunstbücher.
Der Schwerpunkt unserer Tätigkeit liegt in der Übernahme von Restauflagen von Verlagen, Museen und Kunstinstitutionen. Wir bieten diese Titel dem Sortiments- und Versandbuchhandel, den Museumsshops und dem Kunsthandel an.
Händlerinfos | Handelsrabatt 1 Ex. 30% | 2-3 Ex. 35% | 4+ Ex. 40% |
Verlag | RRB Photobooks |
Jahr | 2023 |
Einbandart | Broschur |
Sprache | Englisch |
Bemerkung | Buch + Pigment Print "The Sun Hotel, Church Street", unlimitiert, gestempelt, Format 17,78 x 17,78 cm |
ISBN | 978-1-7397023-6-6 |
Seiten | 176 |
Gewicht | 528 g |
Mehr | |
Artikel ID | art-61462 |
Introducing British Documentary Classics from RRB Photobooks. This series aims to bring new life to some of the best British documentary photography. Expanding the print legacies of both well-known and previously overlooked photographers, out of print titles will be newly available and accessible to a wider audience.
Each book in the British Documentary Classics series is reproduced to the same high quality we bring to all RRB publications, reduced in size to fit on the fullest of bookshelves and bound as a lightweight paperback.
Peter Mitchell’s Early Sunday Morning is made up of over 90 images, each one selected from a cache of five hundred negatives which had previously sat unseen for over 30 years.
"Early Sunday Morning", edited and sequenced by John Myers, shows a different Leeds to Mitchell’s earlier publications. It is neither the sombre look at destruction seen in Memento Mori, nor the detached view of ‘the man from mars’ of A New Refutation of the Viking 4 Space Mission, but a more intimate document of Mitchell’s own Leeds.
The book reveals the layers of the city’s history, exposed by the changes to the urban landscape that epitomised the 1970s and 80s. Hundred-year-old terraces and cobbled streets sit flanked by concrete flats, with newly cleared ground to either side are presented with Mitchell’s typical graphic framing.
“It is as if Peter Mitchell has taken the atmosphere and mood of Edward Hopper’s famous painting and established it as a matter of documentary fact in the north of England at a moment when collapse can lead to further desolation or possible renewal. So these beautiful pictures are drily drenched in history – social, economic and photographic.” - Geoff Dyer