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Seit 1997 sind wir Großhandel für hochwertige Publikationen der Gebiete Kunst, Kunsttheorie, Kunstgewerbe, Architektur, Design, Fotografie und illustrierte Kulturgeschichte. Unser kleines Team setzt sich aus den Fachgebieten Kunst, Kultur, Musik, Buchhandel und Medien zusammen und hat bei aller Vielfalt einen gemeinsamen Nenner: Die Begeisterung für schöne Kunstbücher.
Der Schwerpunkt unserer Tätigkeit liegt in der Übernahme von Restauflagen von Verlagen, Museen und Kunstinstitutionen. Wir bieten diese Titel dem Sortiments- und Versandbuchhandel, den Museumsshops und dem Kunsthandel an.
Verlag | Pennsylvania State University Press |
Jahr | 2015 |
Einbandart | Leinen mit Schutzumschlag |
Sprache | Englisch |
ISBN | 978-0-271-07111-4 |
Seiten | 264 |
Gewicht | 1614 g |
Mehr | |
Autor(en) | John Bidwell |
Beiträge von | Michael M. Baylson, Frances Batzer Baylson, Sheelagh Bevan et al. |
Buchtyp | Ausst'publikation |
Museum / Ort | Morgan Library & Museum, New York |
Artikel ID | art-61328 |
The great painter Henri Matisse was also a great book illustrator. A pioneering member of the Fauves, a supreme colorist, a remarkable draftsman, and a creative genius: this is the Matisse known and admired by everyone with even a passing interest in modem art.
But few know Matisse as an artist who designed and illustrated his own books. From 1912 until his death in 1954, he engaged in nearly fifty illustration projects, many of which rank among the greatest artists' books of the twentieth century. A master printmaker, equally adept in various mediums, he ensured that his prints would appear to the best advantage in conjunction with the printed page. He directly participated in page layout, typography, lettering, ornament, cover design, and even the choice of text. More than any others of his rank and stature, he knew the principles of visual communication and perceived the potential of letterpress printing.
Graphic Passion recounts the publication history of nearly fifty books illustrated by Matisse, including masterworks such as Mallarmé's Poésies, Lettres portugaises, and Jazz. It is the first comprehensive in-depth analysis of his book production ventures and the first systematic survey of this topic in English. Drawing on unpublished correspondence and business documents, it contains new information about his illustration methods, typographic precepts, literary sensibilities, and staunch opinions about the role of the artist in the publication process.