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Seit 1997 sind wir Großhandel für hochwertige Publikationen der Gebiete Kunst, Kunsttheorie, Kunstgewerbe, Architektur, Design, Fotografie und illustrierte Kulturgeschichte. Unser kleines Team setzt sich aus den Fachgebieten Kunst, Kultur, Musik, Buchhandel und Medien zusammen und hat bei aller Vielfalt einen gemeinsamen Nenner: Die Begeisterung für schöne Kunstbücher.
Der Schwerpunkt unserer Tätigkeit liegt in der Übernahme von Restauflagen von Verlagen, Museen und Kunstinstitutionen. Wir bieten diese Titel dem Sortiments- und Versandbuchhandel, den Museumsshops und dem Kunsthandel an.
Verlag | Knopf |
Jahr | 2019 |
Einbandart | Fester Einband mit Schutzumschlag |
Sprache | Englisch |
Bemerkung | (*Hurt) Filzstiftmarkierung am Schnitt |
ISBN | 978-0-525-65752-1 |
Seiten | 704 |
Gewicht | 1055 g |
Mehr | |
Autor(en) | William Feaver |
Artikel ID | art-58783 |
The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic.
Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book.
This brilliantly researched and well written book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. On Freud's first trip to Paris in 1946 he met the artists Picasso, Giacometti, Andre Breton, Alexander Calder and Balthus. Next was a trip to Greece then trips to the south of France.
This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.
This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time.