Ellsworth Kelly – Red Green Blue

Paintings and Studies, 1958-1965. Julie Dunn (Hrsg.). Ausst'publikation. Museum of Contemporary Art, San Diego. Museum of Contemporary Art San Diego 2003. Beiträge von Roberta Bernstein, Sarah Rich et al. Englisch. 128 Seiten, 88 Abb. (davon 82 farbig und 6 s/w). 25 x 31 cm. 1,3 kg. Seideneinband mit Schutzumschlag. 9780934418621. art-49666
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»Red Green Blue« is almost the title of a 1963 painting by Ellsworth Kelly. Red Blue Green, a monumental rectangular oil work, considered a crucial fulcrum point in the artist's career, represents Kelly's concerns about the tension between the figure and the ground, offering two precisely shaped and balanced red and blue forms set against a strongly contrasting green ground. Working within a strict set of limits, he created a string of similarly grand, powerful works and defined many of the ideas about line, form, and color that still drive his work today.

These works, made from the late 50s to the mid-60s, established the artist's singular style and his reputation as one of the most innovative abstract painters of the latter half of the 20th century, one who boldly broke with the strictures of the abstract expressionist movement, which dominated painting in the United States in the 50s. Exploring the complex interplay of invented and real-world inspirations that led to this body of figure/ground paintings, this volume presents a selection of 21 major paintings and 36 related drawings, collages, and photographs from that time period, as well as a new painting from 2002 that reexamines related concerns.

Ellsworth Kelly was born in Newburgh, New York in 1923. His first one-person exhibition was held in 1951 in Paris, where he was studying on the G.I. Bill following World War II. Kelly returned to the United States in 1954, renting a studio in downtown New York, and his position among America's most esteemed painters began to take form. Since that time, the artist's work has been the subject of numerous major retrospectives worldwide and is presently included in all of the most important public collections of contemporary art. The drawings reproduced in this volume were on view at Matthew Marks Gallery in November, 2006, accompanying a major exhibition of new paintings and sculpture. Kelly currently lives and works in upstate New York.