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Seit 1997 sind wir Großhandel für hochwertige Publikationen der Gebiete Kunst, Kunsttheorie, Kunstgewerbe, Architektur, Design, Fotografie und illustrierte Kulturgeschichte. Unser kleines Team setzt sich aus den Fachgebieten Kunst, Kultur, Musik, Buchhandel und Medien zusammen und hat bei aller Vielfalt einen gemeinsamen Nenner: Die Begeisterung für schöne Kunstbücher.
Der Schwerpunkt unserer Tätigkeit liegt in der Übernahme von Restauflagen von Verlagen, Museen und Kunstinstitutionen. Wir bieten diese Titel dem Sortiments- und Versandbuchhandel, den Museumsshops und dem Kunsthandel an.
| Händlerinfos | Handelsrabatt 1 Ex. 30% | 2-3 Ex. 35% | 4+ Ex. 40% |
| Verlag | MACK Books |
| Jahr | 2025 |
| Einbandart | Klappenbroschur |
| Sprache | Englisch |
| ISBN | 978-1-917651-08-0 |
| Seiten | 224 |
| Gewicht | 1400 g |
| Mehr | |
| Beiträge von | Ashwin Desai |
| Artikel ID | art-80524 |
Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg’s city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community’s families, shopkeepers, and small business owners, Goldblatt attempted ‘to grasp something of their life and what they had built.’
The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt’s subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
Exemplary of Goldblatt’s empathetic and observational documentary style, these photographs and oral histories establish a generous exchange between photographer and subject. Together these materials preserve narratives of Fietas as a racially diverse community that existed in defiance of apartheid. An accompanying essay by Professor Ashwin Desai places Fietas within the wider historical context of Indian South Africans and racist ideology before and after the advent of apartheid, completing a compelling reference to a little known community forever changed by the darkest point in South Africa’s history.